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The opening cocktail reception was held on Thursday, Nov. 6, and gathered members of the Casa de Campo community, who had the opportunity to speak directly with the artist and share their impressions of the collection. The evening became a space for enriching exchange.
During a special conversation in the art gallery’s conference room, Ingrid Haubrich revealed the inspiration and purpose behind her series, “Footprint in the Sea” (Huella en el Mar). Her work not only invites aesthetic reflection but actively seeks to raise awareness about the conservation of the seas and the marine ecosystem.
This commitment materializes in a significant collaboration. A portion of the proceeds from the “Footprint in the Sea” series will be allocated to Fundemar’s conservation programs, thanks to the support of the Caslini family, owners of IBI Náutica, and the valuable endorsement of the Embassy of the Argentine Republic in the Dominican Republic, through its Ambassador, Ms. Sandra Winkler.
The Work: A Cartography of Movement
The curation by Altos de Chavón Art Gallery Director, Luciana Goldfain, for “Shared Territories” highlights Haubrich’s vision, who proposes a “cartography of movement that assumes migration as a shared origin.”
“Ingrid Haubrich proposes a cartography of movement that assumes migration as a shared origin. An Argentine visual artist with more than twenty years in Spain, she knows firsthand that territories do not separate: they interlace,” stated Goldfain.
“In the exhibition, the series dialogue with each other: the seas merge with the gardens, night brushes against spring, and the technological is grafted onto the organic. A constant vital flow is presented that rejects closed compartments, revealing a creation that resists isolation.”
The “Tides” (Mareas) series explores the sea as a mobile border: a line that separates and, at the same time, sutures, understood as a liquid archive of the migrant memory in perpetual motion. For its part, “Nightfalls” inhabits the liminal zone, the suspended threshold where identity is questioned and the landscape becomes a state of transit.
“Haubrich’s work traces cycles of transformation that conceive of us as a ‘living weave of mixtures and resiliencies,’ understanding art not as a fixer of identities, but as a passage in constant mutation, a space where what migrates multiplies.”
The gallery invites all interested parties to keep an eye on its social media channels for more information about its upcoming exhibitions.
